﻿An atmosphere of melancholy and changing times pervades the opening to the final series of Downton Abbey. The year is 1925 and there are already the first rumblings of the economic storms that will blight the end of the decade. The neighbours are selling up their own stately home, while Lord Grantham seeks to cut back on servants after declaring that under-butlers are no longer affordable. 
But at the real Downton Abbey, Highclere Castle – a stately home owned by George “Geordie” Herbert, 8th Earl of Carnarvon – the financial outlook has rarely been brighter. According to Lady Fiona Carnarvon, the huge global success of Downton has funded a rolling programme of building repairs aimed at safeguarding Highclere for the next generation. 
“It’s been an amazing magic carpet ride for all of us,” she said. “It’s given us a wonderful marketing platform, an international profile. I’m hugely grateful. My husband and I love the house, and the people here. Now, without doubt, it is loved by millions of other people.” 
Currently, only the ground and first floors of Highclere, on the borders of Hampshire, are used. But, a restoration project of derelict tower rooms has begun that will eventually allow visitors to climb up into the tower to an exhibition showcasing the work of the architect of the Houses of Parliament, Sir Charles Barry, who rebuilt the house between 1839 and 1842. 
When the Downton Abbey producers first approached Highclere in 2009, the family faced a near £12m repair bill, with urgent work priced at £1.8m. But, by 2012, the Downton effect had begun to take the pressure off. Lord Carnarvon said then: “It was just after the banking crisis and it was gloom in all directions. We had been doing corporate functions but it all became pretty sparse after that. Then, Downton came along and it became a major tourist attraction.”